THE ARISTOCRATS [2005]
 |
"Finally
Disney has some Stiff Competition"
BY: JASON VERNON |
OVERALL
RATING |
ENDING
RATING |
 |
 |
|
Comedy Veterans and creators
Penn Jillette and Paul Provenza capitalize on
their insider status and invite over 100 of their closest friends--who
happen to be some of the biggest names in entertainment, from George Carlin,
Whoopi Goldberg, Drew Cary to Gilbert Gottfried, Bob Saget, Paul Reiser and
Sarah Silverman--to reminisce, analyze, deconstruct and deliver their their
own versions of world's dirtiest joke, an old burlesque, too extreme to be
performed in public, called The Aristocrats. |
|
The kind
of people who walk out of the middle of this movie because of moral
indignation are the kind of people I wouldn’t mind if they were all gassed.
On a similar note, the kind of parents who buy beer for their thirteen year
old children because “they’ll be drinking anyway, so at least this way I can
keep an eye on them” should take their five to fifteen year old children to
see this movie. That way they can be exposed to every horrible thing
imaginable under strict parental supervision.
The movie
is a documentary about a joke. In many ways it encompasses everything I
love about documentaries. It takes the viewer into a sort of subculture, in
this case the subculture of comedians, and gives us a tip of the iceberg
look from which we can divine quite a bit about the subject. In some ways a
documentary about stand up comedians might have been less eye opening. By
studying the tool of their craft through one specific example much is
revealed. That having been said it’s not a very good documentary
technically speaking. The pixilation of images and apparent lack of
composition and lighting gives the film an extremely amateurish feel which
at times draws attention away from the subject matter. This is especially
true with the editing. The filmmakers often attempt to “spice up” the
interviews (which is basically what the entire movie is made up of) with
rapid cutting between bizarrely framed shots.
This film
was a whole experience I hadn’t quite expected. At 12:45 on a Monday
afternoon I wasn’t surprised that there weren’t many people in the theater.
Besides myself there was one gentleman seated one row behind me across the
isle and another seated on my side of the isle several rows back. This
positioning made it fairly obvious which of us was laughing at what times. It
became very apparent that I was going to be the only one laughing at the
truly depraved and horrible bits. There was a certain amount of nervousness
and trepidation that came with that. Because of the subject matter of the
movie I almost felt as if these two men were judging me because of what my
demented little mind found funny. That in and of itself made me laugh
harder. In one scene the audio of the film cuts out completely. It’s hard
to describe the feeling of watching the equivalent of comic pornography with
two strangers in a completely silent, darkened room. By the end of that
scene I was laughing so hard I was doubled over in my seat, the only sound
in the room was my gasping laughter. It was a bizarre mix of actual “haha
that’s funny” laughter and “dear god I hope these two men don’t rise up and
slay me lest I be released on an unwitting population” laughter. There were
a few moments like this through out the screening and it was defiantly the
hardest I’ve laughed at a movie in months.
I want to
go off on a whole tangent about how all religious right-wingers and family
groups should be forced to watch this movie and see how vulgarity and
profanity are not the evils bringing down proper society, that if they’d
lighten up a bit and laugh a little perhaps the world would be a better
place. If I were to go off on that tangent I doubt anyone would listen. |
| ADDED ON 10/9/05 |
|
ASSAULT ON PRECINCT 13 [2005]
 |
"D.A.R.E To Watch Assault On Precinct 13"
BY: RYAN HALEY |
OVERALL
RATING |
ENDING
RATING |
 |
 |
To survive the night, cops and criminals
alike will have to unite and fight. A classic head-to-head showdown ignites
in Assault on Precinct 13, an all-new update of the 1976 action thriller of
the same name.
With only a few hours left in the calendar year, Precinct 13, one of
Detroit's oldest precinct houses, is closing. Amid heavy snowfall and unsafe
road conditions, only a few lawmen remain on duty for New Year's Eve. They
are headed by Sergeant Jake Roenick (Ethan Hawke), a good cop wrestling with
bad memories of a fatal undercover op from the previous spring. Roenick and
Precinct 13 have both seen better days. Early on December 31st, deep in the
city, formidable crime lord Marion Bishop (Laurence Fishburne), is cornered
by an undercover cop. Their ensuing struggle leaves the cop dead - and
Bishop captured, by the Organized Crime and Racketeering squad that Marcus
Duvall (Gabriel Byrne) runs. Bishop is handcuffed and herded onto a prison
bus with several criminals: junkie Beck (John Leguizamo), hustler Smiley
(Jeffrey "Ja Rule" Atkins), and gang member Anna (Aisha Hinds). But the
battering snowstorm stops the bus well short of its high-security
destination and strands it at the remote Precinct 13 - where, as night
falls, the prisoners are temporarily incarcerated. This influx of prisoners
irks Roenick, almost as much as visiting police psychologist Alex Sabian
(Maria Bello) does. But Precinct 13's provocative secretary Iris Ferry (Drea
de Matteo) and salty veteran cop Jasper "Old School" O'Shea (Brian Dennehy)
won't let the increasing workload deter them from celebrating... |
|
Assault on Precinct 13 is a movie
written and directed by John Carpenter, released in 1976. A lot of people
call John Carpenter the “father of horror” or “the founder of ‘modern’
horror” or something else equally as lame. John Carpenter has made a large
handful of my absolute favorite movies of all time, none of which really
being in the horror genre. Namely They Live, Big Trouble in Little
China,
Halloween, my
personal favorite Escape from New York and this movie, Assault on
Precinct 13.
Originally, John Carpenter
wanted to make a Western. He had for sometime. But with the amount of money
he was given to make his next movie, he didn’t think he could make one, so
he decided he would make an inner city version of a Western. That eventually
became Assault on Precinct 13. So yeah, that’s pretty much about as
cool as it sounds. A fucking Western taking place in a deserted ghetto in
the middle of L.A. The movie opens with a gang who appears to murder and
pillage for no real reason at all. They’re just bad guys. Kind of like in
Westerns. Bad guys are bad guys, that’s just who they are. So in the movie,
an old police station is about to be shut down. Only an officer and two
secretaries are in it preparing for it to be shut down the next morning.
Also, three death row inmates are being transported by bus to another
prison. But one of them gets sick and the bus has to stop at the nearly
abandoned precinct. ALSO, a man sees his daughter and an ice cream man get
shot by this gang and then chases them down and kills their leader.
Unfortunately, he runs for cover from the other gang members into Precinct
13. So everything is now set up for the assault, as advertised in the title,
on Precinct 13. And what an assault it is. Probably the best assault I’ve
seen in a long time. It’s a good assault, really. The officers can’t hold
the gangs alone, so they unleash the death row inmates, give them guns, and
everyone fights. So it’s officers, inmates and secretaries verse unruly and
downright rude gang members, who will stop at nothing for the blood of the
man who killed their leader. Who by the way, is a complete asshole. Dude
just runs into the precinct in a daze, won’t tell anyone what happened, and
then passes out in some office while the whole assault went down and people
died. So nobody knows why this bloodthirsty gang is out for them the whole
movie, and they never find out.
Another thing, I’d like to comment on is the score. John
Carpenter usually performs all of his films’ scores. And they’re usually
always awesome, this one included. Most times they’re real dark synthesizer
tunes that make me feel like I’ve just shot a bad guy in the face. Notably,
the Escape from New York score is excellent.
So Assault on Precinct 13 is just a real fun movie to
watch. One might determine that the movie didn’t take much money to make (I
just looked it up and it said around $100,000). The whole thing takes place
in one building essentially, and a majority of the movie is long shoot outs
where gang members keep climbing through windows and getting shot. It’s
chock full of gratuitous violence and sweet one-liners and little girls
getting shot. So if that sounds interesting to you, like it does to me, then
go rent this. And be sure not to rent the shitty remake that was made last
year. It is not good. |
| ADDED ON
3/18/06 |
|
|